In printmaking, a counterproof is a print taken off from another just printed, which, by being passed through the press, gives a copy in reverse, and of course in the same position as that of the plate from which the first was printed, the object being to enable the printmaker to inspect the state of the plate.[1]

Counterproofing was used to produce the finest quality copperplate printing; the second print consisted of delicate lines, and lacked the beveled impressions seen in the original print.[2]

To counter-prove is also to pass a drawn design in black lead or red chalk through the press, after having moistened with a sponge both that and the paper on which the counterproof is to be taken.[3]

References

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  1. ^ Public Domain This article incorporates text from this source, which is in the public domainPorter, Noah, ed. (1913). Webster's Dictionary. Springfield, Massachusetts: C. & G. Merriam Co. {{cite encyclopedia}}: Missing or empty |title= (help)
  2. ^ "Counterproof Archived 2007-08-07 at the Wayback Machine". Women's Work: Printing Techniques. Linda Hall Library of Science, Engineering & Technology. 2005. Retrieved 2007-05-10.
  3. ^ Public Domain This article incorporates text from a publication now in the public domainChambers, Ephraim, ed. (1728). Cyclopædia, or an Universal Dictionary of Arts and Sciences (1st ed.). James and John Knapton, et al. {{cite encyclopedia}}: Missing or empty |title= (help)


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Visionary Heads

young faun (#715) Boadicea? (#718) Caractacus, counterproof (#719) Muhammad (#720) Canute, counterproof (#723) Queen Eleanor of Aquitaine, wife of Henry

Sharon Butler

Tuscaloosa, and other cities. In 2014, she was the inaugural resident at Counterproof Press where she published a series of etchings that foreshadowed her

Giuseppe Mazzuoli (1644–1725)

work to Maratta's design and wasn't given a sketch. Robert Cahn, "A Counterproof from a Drawing of the Lateran 'Saint Philip'" Record of the Art Museum

Maria Sibylla Merian

surviving copies shows that some deluxe versions used hand-coloured counterproofs, a process that softened the printed outlines and made the plants and

Siebs's law

cites the contradiction present in Avestan zdī from PIE *s-dʰi "be!" as counterproof. However, the PIE form is more accurately reconstructed as *h₁s-dʰí from

Spirit of the Dead Watching

group. Gauguin reprised the theme in a pastel (from which there are two counterproofs recorded), in a lithograph, and in several woodcuts, one of which is

Arabic definite article

Sibawayh is often taken as an axiomatic fact. There are many proofs and counterproofs, but the overarching argument in favour of this opinion is as follows:

Jean-Robert Ango

his copies are after some contemporary artists, and he also reworked counterproofs of drawings. Ango recorded in drawing the paintings in Bailli de Breteuil's