
Derwent Lees (14 November 1884 โ 28 March 1931) was an Australian draughtsman, landscape and figure painter.
Biography
editDerwent Lees was born in Hobart, Australia, in November 1884, the youngest of ten children. His father was general manager of the Union Bank of Australia.[1] He studied at Melbourne Grammar School in 1899โ1900,[2] and later lost a foot in a riding accident, subsequently wearing a wooden prosthetic foot. He moved to London in 1905 and, following a brief stay in Paris, commenced his studies at the Slade School of Fine Art under the supervision of Henry Tonks and Frederick Brown. While still a student, he was invited to join the Slade staff in late 1907, a position he held for ten years.
His earliest known works are pencil drawings created in c.1907 while at the Slade School. These remain held by the Art Museum of University College London. He regularly exhibited at the Goupil Galleries and the Chenil Gallery in Chelsea, and with Vanessa Bellโs Friday Club where he was a founding member,[3] was invited to become a member of the New English Art Club in 1911, and in 1913 had works shown at the renowned Armory Show (the first International Exhibition of Modern Art) in New York, Boston and Chicago.[4]
He was a friend of Augustus John and James Dickson Innes and from late 1910 to 1913, painted with them in north Wales,[5] then again with Augustus John in 1914. In 1910, accompanied by Innes and another Slade colleague, Lees went on a painting trip to Collioure in France.[6] He returned to southern France another three times prior to WWI, developing a distinctive highly coloured style following the influence of the post-impressionists.
Lees married his model-muse, Edith Harriet Price (1890-1984), in the summer of 1913. Under the artist-model pseudonym "Lyndra", she was one of Lees's and Augustus John's principal pre-WWI models.
His artistic career was curtailed by poverty and subsequent mental health problems, which saw him confined to asylums, initially in 1918, then permanently from 1919 until his death in 1931 at West Park Hospital, Epsom.
In 1936 his work 'Dorset Scene' was exhibited posthumously at the Venice Biennale, probably by his widow, as Great Britain did not contribute any works that year due to political tensions.[7]
His works are held in more than 50 public institutions across eight countries inย :
- the USA at the Yale Center for British Art, the Chicago Institute of Art and the Rhode Island School of Design;
- the major galleries of the Midlands and North of England, and all of Londonโs major galleries including the Tate, the V&A, the British Museum and the National Portrait Gallery;
- the National Galleries of Canada, Wales, New Zealand and Australia, among other major public Australian and South African galleries.
The 2025 catalogue raisonnรฉ of Lees's oeuvre details over 450 works, nearly all produced in 12 intense creative years.[8]
Selected paintings
editSelected Works in Collections
edit| Title | Year | Medium | Gallery no. | Gallery | Location |
|---|---|---|---|---|---|
| Lyndra at the Pool | 1913 | Oil on wood panel | 76.358 | National Gallery of Australia | Canberra, Australia |
| Four Heads | c.1911 | Pencil & paper | H1979.5 | Brighton and Hove Museums | Brighton, England |
| Landscape at Collioure | 1910 | Watercolour & gouache on paper | N04241 | Tate Gallery | London, England |
| The Awakening | 1910 | Watercolour, pen & ink | 79.2588 | National Gallery of Australia | Canberra, Australia |
| Lyndra in Wales | 1914 | Oil on paper | 2450 | Fitzwilliam Museum | Cambridge, England |
| Evening | 1911 | Oil on canvas | 9684 | Government Art Collection | London, England |
| Girl in a Black Hat | 1914 | Oil on wood panel | 1888-4 | National Gallery of Victoria | Melbourne, Australia |
| Mรฉtairie des Abeilles | 1912 | Oil on wood | N05355 | Tate Gallery[9] | London, England |
| Mรฉtairie des Abeilles | 1909 | Watercolour on paper | N05356 | Tate Gallery | London, England |
| Mas Reig, Banyuls a.k.a. Spanish Landscape | 1912 | Oil on wood panel | 76.359 | National Gallery of Australia | Canberra, Australia |
| The Round Hill, Banyales a.k.a. Spanish Landscape | 1914 | Oil on board | H1990.24 | Brighton and Hove Museums | Brighton, England |
| Portrait of Lyndra, the Artist's Wife | 1913 | Pencil & paper & board | H1981.7 | Brighton and Hove Museums | Brighton, England |
| Lyndra in a Landscape | 1913 | Oil on wood panel | 1821-4 | National Gallery of Victoria | Melbourne, Australia |
| Pear Tree in Blossom | 1913 | Oil on wood | N05021 | Tate Gallery | London, England |
| Lyndra at Tanygrisiau a.k.a. Girl Seated | 1914 | Oil on wood panel | 1957-0014-3 | Museum of New Zealand Te Papa Tongarewa | Wellington, New Zealand |
| Tan-Y-Bwlch a.k.a. The Yellow Skirt | 1914 | Oil on wood panel | 127080 | Carrick Hill | Adelaide, Australia |
| Self Portrait | 1919 | Etching | D5046 | National Portrait Gallery | London, England |
| Not titled [Eve holding the apple] | c.1909 | Watercolour, pen & ink, pencil on cardboard | 79.1517 | National Gallery of Australia | Canberra, Australia |
| Not titled [Portrait study: Woman with head turned to the right] | 1915-1918 | Brush & ink & pencil on paper | 79.15153 | National Gallery of Australia | Canberra, Australia |
| Profile, Lyndra a.k.a. Profile portrait of a woman | 1913 | Pencil on paper | 79.1515 | National Gallery of Australia | Canberra, Australia |
| Essil Elmslie Reading a.k.a. Woman reading | 1911 | Pencil, ink & pen on paper | 79.1516 | National Gallery of Australia | Canberra, Australia |
| Portrait of an Unknown Woman a.k.a. Lady Howard de Walden | c.1913 | Pencil on paper | FA101413 | Brighton and Hove Museums | Brighton, England |
| Snow on Welsh Mountains a.k.a. Welsh Landscape in Winter | c.1911 | Oil on wood panel | 1951.1086 | Glynn Vivian Art Gallery | Swansea, Wales |
References
edit- ^ Davies, Lynn (2025). Derwent Leesย : art and life. London: Lund Humphries. p.ย 9. ISBNย 9781848227118. OCLCย 1481473162.
- ^ 29 artworks by or after Derwent Lees, Art UK: see extended Oxford Dictionary of Art and Artists biography, under "artist profile". Retrieved 13 June 2016.
- ^ Spalding, Frances (1983). Vanessa Bell. England: Weidenfeld & Nicolson. p.ย 56. ISBNย 9780297781622.
- ^ Catalogue of International Exhibition of Modern Art, at the Armory of the Sixty-Ninth Infantry, Feb 15 to March 15, 1913. Association of American Painters and Sculptors, 1913.
- ^ Simons and Hoole, Margaret and John (2013). James Dickson Innes. Lund Humphries. pp.ย 30โ32. ISBNย 9781848221390. OCLCย 865659304.
- ^ "Carrick Hill". Archived from the original on 22 August 2011. Retrieved 25 June 2011.
- ^ Kerry Gardner (2021) 'Australia at the Venice Biennale: A Century of Contemporary Art' The Migunyah Press, ISBN 978-0-522-87736-6
- ^ Davies, Lynn (2025). Derwent Leesย : art and life. London: Lund Humphries. pp.ย 158โ241. ISBNย 9781848227118. OCLCย 1481473162.
- ^ Tate Collection: Derwent Lees
Further reading
edit- Derwent Lees, "Drawings", The Blue Review, Vol. I No. I (May, 1913).
- Alleyne Zander, "Derwent Lees", Art in Australia, series 3, no. 48, Feb 1933.
- Eric Rowan, Some miraculous promised land: J. D. Innes, Augustus John and Derwent Lees in North Wales 1910โ13, Llandudno: Mostyn Art Gallery, 1982.
- Merlin James, "Derwent Lees", The London Magazine, Feb/Mar 1992.
- Henry R Lew, "In Search of Derwent Lees" - self-published by author 1996, ISBN 0646283839.
- Henry R Lew, "Imaging the World" - Chapter 12 Derwent Lees, pages 172-216, Hybrid Publishers 2018, ISBN 9781925272819.
- Henry R Lew, "Australian Genesis and Exodus" The stories of DERWENT LEES and HORACE BRODZKY - their lives, their families, and their in-common friends and acquaintances" - Hybrid Publishers 2023, ISBN 9781922768032.
External links
edit- More works by Lees @ ArtNet
- Derwent Lees @ Epsom and Ewell History Explorer