Engraving of William Bulmer
The Bulmer typeface is a modern revival of William Martin's design, commissioned by George Nicol for the Boydell Shakespeare.

William Bulmer (1757–1830) was an English printer and typographer.[1]

Biography

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An edition of The Chase by Sommerville; William Bulmer, 1796

William Bulmer was born in 1757 as one of the youngest children of Thomas Bulmer in Newcastle-upon-Tyne. He was apprenticed to the printer Mr. Thompson, at Burnt House Entry, St. Nicholas' Churchyard. During his apprenticeship he formed a friendship with Thomas Bewick, which lasted throughout his life

When William Bulmer first came to London, he worked for the printer and publisher John Bell and was introduced to George Nicol, bookseller to King George III, who, with John Boydell had conceived a lavish edition of the works of Shakespeare with illustrations from the foremost artists of the day. For the project Nicol had already engaged the services of William Martin, a type-founder from Birmingham who had worked for John Baskerville, to design and cut the type.

In the spring of 1790, William Bulmer established The Shakespeare Press at 3 Russell Court, off Cleveland Row, St. James's and the first part of the Shakespeare appeared in January 1791 comprising "Much Ado About Nothing" and "Richard III".

In 1796 Bulmer published a quarto edition of Somerville's "Chase". All the engravings but one in this volume were designed by John Bewick, and engraved by his brother Thomas Bewick. Other books followed, including Thomas Frognall Dibdin's Typographical Antiquities of Great Britain, Bibliographical Decameron, and the Bibliotheca Spenceriana.[2]

Bulmer printed almost 600 books and pamphlets until his retirement 1819 as well as reports and catalogues for many institutional clients such as The East India Company, the Royal Society, the British Museum and the Roxburghe Club.

William Bulmer died at Clapham, on 9 September 1830, and was buried in St. Clement Danes, Strand.

Selected publications

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References

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  • "Bulmer, William" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.

Notes

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  1. ^ Isaac, Peter C. G. (18 December 1956). "William Bulmer, 1757–1830: An Introductory Essay" (PDF). The Library. Retrieved 2 February 2012.
  2. ^ "Memoir of William Bulmer Esq". Gentleman's Magazine. 148: 305–310. 1830. Retrieved 3 February 2012.
  3. ^ Rubenhold, Hallie (2011). Lady Worsley's Whim: An Eighteenth-Century Tale of Sex, Scandal and Divorce. Random House. p. 235. ISBN 9781446449691.

📚 Artikel Terkait di Wikipedia

William Bulmer

1465–1531), English knight and MP William Bulmer (printer) (1757–1830), English printer Billy Bulmer (Sir James William Bulmer, 1881–1936), English public servant

Bulmer (typeface)

Bulmer is a serif typeface originally designed by punchcutter William Martin around 1790 for the Shakespeare Press, run by William Bulmer (1757–1830)

List of typefaces designed by Morris Fuller Benton

(1926) Canterbury (1926) Bulmer Roman (1926), based on a face cut by William Martin for the printer William Bulmer in 1790. Bulmer Roman Italic (1927) Greeting

George Nicol (bookseller)

typeface, Nicol and Boydell met the printer William Bulmer by chance, resulting in the agreement to establish Bulmer and Nicol's Shakespeare Press at 3

Eng (letter)

"Teuthonista" phonetic characters in the UCS" (PDF). Majnep, Ian Saem; Bulmer, Ralph (1977). Birds of my Kalam Country [Mn̄mon Yad Kalam Yakt]. illustrations

RR Donnelley

United States. In 2007, R.R. Donnelley was the world's largest commercial printer. In 2021, it was referred to as North America's largest. R.R. Donnelley

Baskerville

century, with printers and type designers such as Joseph Fry, Isaac Moore who may have been Fry's punchcutter, and Wilson of Glasgow. Bulmer, cut by the

Bibliography of early American publishers and printers

by W. Bulmer and Co. Amory, Hugh (2007). A History of the Book in America. American Antiquarian Society. ISBN 978-0-8078-34046. Andrews, William Loring